Director Tom Hurwitz and Rosalynde LeBlanc’s documentary Can You Bring It: Bill T. Jones’ D-Man in the Waters, a famed 1989 piece that was inspired by the fatal battles of both his partner Arnie Zane and company star Demian “D-Man” Acquavella with AIDS. At least, that was the case with dancer and choreographer Bill T. Timeless art is often born out of highly particular experiences. Crafted with jarring edits and split screens for maximum disorientation, the ensuing mayhem is stunning, scary and considerably gross, heralding the arrival of a uniquely out-there horror voice. That’s just the beginning of the ordeal writer/director Devereux Milburn has in store for his protagonists, who are joined at their dinner by a dazed-looking man with a bandaged head, and who soon discover that Karen has devious plans for them–some of it having to do with her daughter. Though Riley and Sam are vegans, they’re compelled to chow down on some of Karen’s home-cooked beef and bread, the latter of which is especially dicey given that this region is notorious for having lost crops and cattle to a poisonous spore. On a New England camping trip, the couple have a run-in with an unfriendly landowner who evicts them from their sleeping spot, forcing them to embark on a nocturnal trek through the woods that leads to the home of Karen (Barbara Kingsley). But for now, they help lead our picks for the best movies of 2021.ĭon’t eat anything of unknown origins–a warning that goes unheeded by oft-bickering Riley (Malin Barr) and Sam (Sawyer Spielberg, son of Steven) in Honeydew. Whether they remain in those coveted positions remains to be seen, especially given what’s set to premiere in the forthcoming few weeks.
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At the forefront of that batch are Radu Jude’s scathing Bad Luck Banging or Loony Porn, Ryusuke Hamaguchi’s entrancing Drive My Car and Paul Thomas Anderson’s joyous Licorice Pizza, all of which have cracked the top ten. For the first time this year, a whopping ten new films have been added to this feature, speaking to the depth and breadth of domestic and international films presently available to intrepid cinephiles.
Still, while a plethora of must-see offerings lay directly ahead, the current multiplex, art-house and VOD landscapes are immensely crowded as well. From Steven Spielberg’s highly anticipated remake of West Side Story and Guillermo Del Toro’s star-studded re-do of Nightmare Alley, to Aaron Sorkin’s classic-TV biopic Being the Ricardos and Joel Coen’s Shakespearean The Tragedy of Macbeth, the race to qualify for best-of lists (and the Oscars) should pay immense dividends for moviegoers in the coming weeks, who are going to have a heck of a time figuring out which titles are worthy of their dollar. The pandemic may have done a number on the industry’s theatrical business, but it hasn’t stopped filmmakers from churning out great works, many of them debuting in the coming month, which is set to be as busy as any in recent memory. With December now here, the finish line is in sight for the cinematic year.
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